DENVER: Robert Schenkkan had just written two plays about a charismatic leader who made a world-changing difference in millions of people’s lives, despite the meddling and misunderstanding of his inferiors. So what better way to follow up All the Way and The Great Society—a pair of historical dramas about President LBJ’s struggle to pass landmark civil rights and public welfare legislation, where the former play went to Broadway and nabbed a best play Tony—than to write about Jesus and his squabbling, imperfect disciples? To read more, click here.