Friday, Nov. 14
All the Way
Seattle playwright Robert Schenkkan’s acclaimed drama about LBJ’s passage of the Civil Rights Act of 1964 earned Tony Awards for Best Drama and its star, Breaking Bad ’s Bryan Cranston, after reaching Broadway last year. Now Seattle audiences can finally see the work, with Jack Willis assuming the title role. (Kenajuan Bentley plays MLK, who lobbies for speedier progress on civil rights; Richard Elmore potrays J. Edgar Hoover—and we know which side he’s on.) In this, the 50th-anniversary year of the Civil Rights Act, with an African-American president in the White House, All the Way is automatically the biggest stage event of the season.
Not only is All the Way historical, it’s painfully topical: A half-century’s seeming progress toward racial equality has now stumbled in ways that LBJ partly anticipated. The South has flipped to solid Republican (his prediction), and its ossified white leaders (abetted by FOX News) have thwarted, belittled, and demonized the president as an ineffectual other. Voter-ID laws and restricted voting hours are resurgent in red states. GOP-controlled state legislatures have drawn electoral maps that herd blacks into homogenous, gerrymandered districts that dilute their voice in Congress. No surprise that many forums and discussions, at the Rep and elsewhere, are scheduled in the coming weeks.
Bill Rauch directs both this play and Schenkkan’s new companion piece about LBJ’s struggles from 1965–68 (chiefly Vietnam), The Great Society, which opens December 5 and alternates withAll the Way (sharing the same cast) through January 4. Seattle Repertory Theatre, 155 Mercer St. (Seattle Center), 443-2224, seattlerep.org. $17–$150. 7:30 p.m. BRIAN MILLER