When All the Way opened at the Oregon Shakespeare Festival in July 2012, the play’s future was anybody’s guess. Would any theatre besides this immense repertory company be willing to mount a political drama requiring 17 actors and running nearly three hours? Was there even a remote chance that such a show could have commercial prospects? No one knew. The only thing about All the Way‘s life after OSF that seemed certain – indeed, seemed downright inevitable – was that it would be produced in Austin. To read more, click here.