12 Peers Theater Presents The Pittsburgh Premiere Of BUILDING THE WALL By Robert Schenkkan

12 Peers Theater will start their 2018 Main Stage Season with Building the Wall by Robert Schenkkan. The Pittsburgh Premiere is directed by Ricardo Vila-Roger and features Tom Kolos and Lauren A. Bethea. Building the Wall examines hatred, fear, and institutional racism in an imagined 2019 in a post-Trump America and runs May 24 - June 10, 2018.

"Building the Wall is a cautionary tale, not a history play," artistic director Vince Ventura says. "We want to start discussions around the fairness of our systems, the balance of security and freedom, and the sometimes uncomfortable topic of institutional racism." To read more, click here.

Park Theatre presents the UK Premiere of Building The Wall

019. The wall has been built, and the President impeached – starring Angela Griffin and Trevor White, the UK premiere of the political thriller Building The Wall, from Pulitzer Prize and Tony Award-winning writer Robert Schenkkan (Hacksaw Ridge, All the Way) comes to Park Theatre. A harrowing tale of the terrible events that resulted when Donald Trump made good on his promise to build a “beautiful wall” between Mexico and the United States. The official press night will be Friday 4th May, 7pm. To read more, click here.

Bull Ride to Pasture LBJ’s turbulent, beset second term makes for captivating, epic theater in The Great Society at the Dallas Theater Center.

“I feel like a catfish biting into a fat, juicy worm and finding a sharp hook in my jaw,” says Lyndon B. Johnson, as the 34th president reflects on the foreign and domestic battles he faces after winning his second term, in Robert Schenkkan’s The Great Society, a Dallas Theater Center co-production with Houston’s Alley Theatre, where it just finished a successful run.

DTC Artistic Director Kevin Moriarty wrangles this epic, history-packed play with 18 actors playing some 40 roles at a riveting horse-race pace at the AT&T Performing Arts Center’s Wyly Theatre. Once you get in the saddle, you want to go the distance with this profane, ego-driven president, who will lie, cheat and step on people’s feet to win his War on Poverty and get his Medicare Act passed. But when he tries to bluster and bluff his way through the escalating costs and body counts of the Vietnam war, his previously successful tactics drag him into the dirt.

The Great Society is Schenkkan’s sequel to All the Way, the Tony-winning drama celebrating Johnson’s 11-month tenure as the “accidental president” with his arm-twisting, wheeler-dealer tactics in getting the Civil Rights Act passed, a critical and audience success in DTC’s 2016 production. To read more, click here.

The Great Society versus the Poor People’s Campaign

A dramatic scene is unfolding this month in Washington, D.C. Angry activists march and chant outside the White House demanding an end to the violence that’s killing America’s youth. Politicians squabble and point fingers, assigning blame and deepening divisions. A chasm has opened within the Democratic Party, exposing the disconnect between wealthy, white party elites and the hardships faced by poor people in small-town America. This story is not, however, about high schoolers pressuring for gun reform or Congressional deadlock on passing the national budget. It’s the story of The Great Society, a theatrical performance which premiered at The Arena Stage in Washington in February 2018. The play tells of President Lyndon Johnson’s vision of poverty reduction through massive government programs aimed at improving access to basic needs like education and health care, and the interplay between Johnson’s efforts and the struggles of civil rights leaders for racial and economic equality. To read more, click here.

Dallas Theater Center gives a great history lesson with LBJ play

Completing the cycle that began with the 2016 Dallas Theater Center/Alley Theatre co-production of All the WayThe Great Society depicts the tumultuous final four years of Lyndon B. Johnson’s presidency. And “tumultuous” is putting it lightly, as there is seemingly no moment of peace for LBJ throughout the play as he wrestles with how to handle civil rights struggles, the escalating Vietnam War, and more. Brandon Potter reprises his role as Johnson, going head-to-head with a series of political figures. They include Martin Luther King, Jr. (the returning Shawn Hamilton), who pushes Johnson to keep his word on supporting voting rights; Sen. Bobby Kennedy (Jay Sullivan), a fellow Democrat with whom he has a testy relationship; Gov. George Wallace (Chris Hury), who seems unable or unwilling to help with racial unrest in Alabama; and many more. As with All the Way, the audience is thrust into the middle of an ongoing story, as playwright Robert Schenkkan assumes we have a certain familiarity with 1960s U.S. history. Instead of leading us by the nose through the events of the era, he provides a certain number of cultural touchstones while also diving deep into the debates LBJ had with a variety of people. It takes a few scenes to catch up, but once the play gets going under Kevin Moriarty's direction, it moves like a freight train. To read more, click here.

Powerful new play about LBJ should go all the way: 'The Great Society' from DTC and Houston's Alley Theatre

Timing wasn't a friend to Lyndon B. Johnson as the Texas-born president fought to pass his ambitious Great Society legislation while simultaneously coping with the morass of the Vietnam War and striving to stop racial injustice. But with today's arguments about the need for a social safety net, the debilitating cost of ongoing wars and the painful price of racial and other forms of polarization, the timing could not be better for the release of The Great Society by Robert Schenkkan, the Pulitzer Prize-winning University of Texas at Austin alumnus. Dallas is lucky to see this electrifying sequel to Schenkkan's Tony Award-winning All the Way. A co-production between two Tony Award-winning regional theaters, Dallas Theater Center and Houston's Alley Theatre, The Great Society continues through April 1 at the Wyly Theatre. To read more, click here.

Robert Schenkkan Constructs The Great Society in His All the Way Sequel

Arena Stage has brought Washington many plays that are marginally political, but its latest Washington premiere — of Robert Schenkkan's The Great Society — is unabashedly, completely political, and one of the finest dramas Arena has produced in recent years. A follow-up to his play All the Way, which told the story of Lyndon Johnson's unexpected appointment as president immediately after the assassination of John Fitzgerald Kennedy, The Great Society makes clear the struggles Johnson went through during his second term. To read more, click here.

Review: ‘The Great Society’ at Arena Stage

Lyndon Johnson’s 1964 margin of victory – nearly 16 million popular votes and a lopsided total of 486 electoral votes – is almost unimaginable today. Armed as well with a 68-32 majority in the Senate, and a House dominated by Democrats, 295-140, his lofty legislative goals seemed well within reach. How, then, did LBJ’s support dissolve so radically? How was it possible, less than four years later, that he’d lost the power and the will to seek another term? To read more, click here.

Washington comes out for the opening of LBJ play ‘The Great Society’

At the Washington premiere of “The Great Society,” a play about President Lyndon B. Johnson, there were plenty of  political plot twists happening offstage.

Sen. Lisa Murkowski (R-Alaska), who received Arena Stage’s American Voice Award for her advocacy of the arts and arts education, was honored after Thursday night’s show. And thanks to Sen. Rand Paul (R-Ky.) tying up the spending bill, prompting a partial government shutdown for a few hours overnight, she was able to actually watch the entire play without running out early and heading to the Hill for a vote. To read more, click here.

The agony and ecstasy of LBJ is revived in ‘The Great Society’

In Robert Schenkkan’s “The Great Society,” Lyndon Johnson wins the 1964 election but loses his soul and goes to hell. American cities burn and Vietnam drags him under by the lapels of his rumpled gray suit; in Kyle Donnelly’s enveloping production at Arena Stage the flames actually lick at LBJ from below.

“The Great Society” is Schenkkan’s sequel to “All the Way,” the Tony-winning drama that showed Johnson in full wheeler-dealer mode as he navigated the Civil Rights Act to passage. Schenkkan is certainly interested in the legislative process, and the audience watched LBJ’s hardball negotiations with a double consciousness during Thursday night’s opening as the 2018 federal government shut down yet again. To read more, click here.