All the Way’ playwright responds to anti-immigration rhetoric - and Donald Trump

Even before the election that transformed billionaire reality TV star Donald J. Trump into the 45th president of the United States, playwright Robert Schenkkan was so disturbed by the candidate’s anti-immigrant rhetoric that he decided to respond. Not with a tweet. Not with an opinion-page essay. The Pulitzer Prize winner spoke back to candidate Trump with a full-length play. To read more, click here.

Building the Wall, a Timely Trump Dystopia at the Arsht

Hurricanes swirling the trees and seas into a frenzy, earthquakes shaking buildings into rubble, the government restricting the rights of Americans as the country becomes more dangerous for its own citizens — it’s not hard to imagine that perhaps this is the end of days. Pulitzer Prize- and Tony Award-winning, Emmy-nominated playwright Robert Schenkkan was inspired last October to illustrate his own imagined dark times in his play Building the Wall. It was written as a reaction to Trump’s cries to build a wall between Mexico and America to keep illegal immigrants out of the States. The two-person play, which takes place in a dystopian, Trumpian American prison, was penned well before the Donald took office. But with this work, Schenkkan captures the fear and horror many feel while living under this administration. To read more, click here.

Building the Wall - Miami New Times

As if the current political climate weren't dire enough, many of the Floridians who voted for Donald Trump were recently made refugees themselves by Hurricane Irma in an ironic twist of fate. Pulitzer Prize-winning playwright Robert Schenkkan’s Building the Wall revolves around an immigrant detention center as it spirals into chaos after implementing Trump’s policies. For a disturbing and human look at the consequences of xenophobic laws and bureaucratic negligence, see this play starring local actors Gregg Weiner and Karen Stephens. 7:30 p.m. Thursday through October 8 at the Adrienne Arsht Center, 1300 Biscayne Blvd., Miami; 877-949-6722; Tickets cost $34 to $54.

The Trump Resistance Begins On Broadway Read more:

The telescreens mounted above the doorways from the Hudson Theatre’s lobby to its auditorium — you might call them Samsung plasmas, but you’d be missing the point — display some familiar slogans: “War Is Peace”; “Ignorance Is Strength”; “Love Is Fear.” “This Bill That Cuts Billions From Medicaid Does Not Cut Medicaid” is not among them, but it could be. This is the new opened staging of George Orwell’s “1984,” and doublethink is the lingua franca here. To read more, click here.

Bards of America Historical plays for a nation “stuck in the middle”

Thirty years ago, when Alison Carey ’82 and Bill Rauch ’84 were traveling the country with Cornerstone Theater Company, the ensemble they co-founded after graduating, they would set up shop for months at a time in churches and storefronts and abandoned gymnasiums. In small-town West Virginia or Nevada or North Dakota, they worked with local residents to produce classic plays adapted to the particularities of their communities. In town after town, a similar thing kept happening: the plays were almost always set in the present, but invariably, Carey says, “You’d bump into the past.” To read more, click here.

Staging Building the Wall Before Trump Builds His Wall The playwright of All the Way races to get his latest work in theatres before Trump starts building his wall

Robert Schenkkan had no time to waste. The playwright couldn't afford the years it took to craft his Pulitzer Prize winner, The Kentucky Cycle, or the Tony Award-winning All the Way or its sequel, The Great Society. Likewise, the standard route for developing a new play – workshopping it for months at assorted regional theatres before mounting the premiere – would take too long. Given the threat to the republic, this new drama inside him needed to get out and on a stage – make that many stages, all across the land – posthaste. This was an urgent cry for the nation: one-if-by-land, two-if-by-sea urgent. To read more, click here.

‘Building the Wall’ a riveting warning about political extremes in age of Trump

Playwright Robert Schenkkan has been having a great couple of years. America, on the other hand, has not. Those two circumstances converge in Schenkkan’s taught, timely, must-see new play, “Building the Wall,” an excoriating critique of the virulent rhetoric — and actions — in contemporary American politics. To read more, click here.

BWW Previews: BUILDING THE WALL at The Adrienne Arsht Center For The Performing Arts

City Theatre (@citytheatremia) and the Adrienne Arsht Center for the Performing Arts of Miami-Dade County (@arshtcenter) are proud to present the South Florida premiere ofBUILDING THE WALL, a National New Play Network Rolling World Premiere written by Pulitzer Prize and Tony Award-winning playwright Robert Schenkkan (The Kentucky Cycle, All the Way, Hacksaw Ridge). Local award-winning actors Gregg Weiner and Karen Stephens have been cast for the Miami production directed by City Theatre Artistic Director Margaret M. Ledford. BUILDING THE WALL will be playing September 21 - October 8 in the intimate Carnival Studio Theater (Ziff Ballet Opera House). To read more, click here.

Stage Left Theatre to Present Chicago Premiere of Robert Schenkkan's BUILDING THE WALL

Stage Left Theatre announces the upcoming Chicago premiere of Building the Wall, written by Robert Schenkkan and directed by co-artistic director Amy Szerlong. Building the Wall is the first production of Stage Left's 36th season. Press opening is Thursday, September 21, at 8 PM at Athenaeum Theatre Chicago, 2936 N. Southport Ave. The show runs through October 22nd. To read more, click here.

Hacksaw Ridge wins AWGIE writing award

Mel Gibson's WWII epic Hacksaw Ridge has taken out the award for best original feature film at the annual Australian Writers' Guild awards. Aussie screenwriter Andrew Knight and US writer Robert Schenkkan won the award for their writing on the film. To read more, click here.